Plot[ edit ] The novel is framed by the literary device of an extended flashback.
Create New Alice is planning something that will hurt Bob in some way. Even though she feels bad about it, she's decided to keep this a secret from Bob.
It is therefore almost guaranteed that even though Bob doesn't know what Alice is up to, he will say things that make Alice feel even worse, talking about how much he trusts her, or the importance of not keeping secrets from each other, or just what a wonderful person Alice is.
How Alice reacts to this added guilt varies. Sometimes she'll simply put up with it and go through with her plan anyway. Sometimes, she'll want to stop, but has already put things irrevocably in motion or simply gone too far to reverse course.
Often, the added pressure leads to a breakdown and a confession. Most of the time, the audience is aware of the deception or secret, making this a subtrope of Dramatic Ironyas the audience cringes on behalf of the character, who is most likely already in an unpleasant situation, and now has to feel worse about it.
However, there are occasional exceptions where the audience is unaware of exactly what the secret is, and the irony only becomes clear later on. Another common type of this is the opposite: Alice is about to tell Bob something that would hurt him in some way - usually by confessing a lie or an action - only for Bob to, right before Alice is about to say sogush about how Alice would never hurt him and how truthful she is or how proud the thing she lied about doing makes him feel, thus making Alice unable to face the disappointment of Bob finding out the truth and keep lying as opposed to revealing it.
Usually an aspect of a Snowball Lie. In sitcoms, this trope is thus often used to maintain the "Fawlty Towers" Plotby guilting someone out of their decision to tell the truth before it's gone too far.
This is a subtrope of Dramatic Irony. This trope is also used to build suspense, as the guilt-ridden character wonders whether or not to go through with the deception. The first thing Crona hears when listening in on them is Marie telling Stein what a nice kid Crona is. The mother of Kurama's human host body does something that has a similar effect in YuYu Hakushowhen Kurama was planning on leaving forever once he had recovered his powers.
She saves him from being badly cut by broken dishes, injuring herself in the process. Kurama planned on leaving at some point after that, but couldn't bring himself to do so, and eventually came to love her enough to be willing to give his life to save hers.
He's always ready to step in and defend his son when L accuses Light of being Kira, and talks about how proud he is of the mature and honest man Light has grown into. Ainz is nothing but an ordinary human transported into a world that works a lot like the MMO he spent all his free time on as a ridiculously powerful lich.
His subordinates created by his guildmates all believe him to be the pinnacle of the Evil GeniusEvil Overlord and Sorcerous Overlord all in one and praise his every move as another step in an ingenious plan they would never have thought of in a million years.
Ainz is very thankful his Skull for a Head doesn't show emotion at times like these, because their absolute sincerity hurts him the same way a father wouldn't want to disappoint his children.
Luke is overjoyed at the prospect of his teacher surviving, and openly so. This guilts the actor severely, and Luke pulls him into situations where to deflect suspicion he has to do what Obi-Wan would Who may, possibly, have been not so oblivious after all - he doesn't seem surprised when the actor confesses while dying in his arms.
Thor is reluctant to work with Amora The Enchantressgiven their history. When "Agent Loki" asks if that also applies to them, Thor dismisses the comparison, as this new Loki isn't the one who wronged him.
He's not wrong, technically, but still thinks he's talking to a grown-up Kid Loki instead of a third personality. Loki awkwardly changes the subject. Because Artemis is giving her unbridled attention and affection with no strings attached, Moondancer feels awful Beneath the Maskespecially when he confides in her that a magical artifact was stolen.
Unknown to Artemis, Moondancer helped orchestrate the theft at the behest of her benefactor Tempest Shadow, who had Moondancer exploit Lamia to steal from her own family. Moondancer feels so guilty that she briefly considers telling Artemis the truth and asking for his help, but lets the moment pass, choosing instead to brush it off.
Chapter 7 of XCOM: From The Ashes of Temples has Valdez happily thanking Bradford for letting him back on the field, which allowed him to save the life of the VIP who would have died otherwise.In Edith Wharton’s powerful work Ethan Frome, she introduces two leading female characters and instantly creates a comparison of the two within the reader’s eyes.
This, not coincidentally, is the same comparison the protagonist Ethan constantly faces and struggles with throughout the novel. In Edith Wharton’s powerful work Ethan Frome, she introduces two leading female characters and instantly creates a comparison of the two within the reader’s eyes.
This, not coincidentally, is the same comparison the protagonist Ethan constantly faces and struggles with throughout the novel. The Great Depression was a severe worldwide economic depression that took place mostly during the s, beginning in the United plombier-nemours.com timing of the Great Depression varied across nations; in most countries it started in and lasted until the lates.
It was the longest, deepest, and most widespread depression of the 20th century. In the 21st century, the Great Depression is. Compare & Contrast Ethan Frome by Edith Wharton Edith Wharton This Study Guide consists of approximately 60 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Ethan Frome.
Character of Ethan Frome Ethan Frome, a tragic romance, first published in , is widely regarded as Edith Wharton's most revealing novel and her finest achievement in fiction.
In Ethan Frome, Edith Wharton makes an ironic comment on the choices present in an impoverished world by presenting contrasting images to describe Zeena Frome and Mattie Silver, yet also presenting details which make them seem alike.