Central Asian states, AfghanistanIraqIsraelYugoslavia Panarin has written that the September 11 attacks in may have been aimed at replacing levels 2 and 3 of the New British Empire with China and the Chinese Commonwealth, respectively see also his book "Information warfare and geopolitics"accelerating the U. Prediction of the United States collapse in [ edit ] Panarin's prediction of the USA's disintegration original map. In the summer of based on classified data about the state of the U. He forecast financial and demographic changes provoking a political crisis in which wealthier states will withhold funds from the federal governmenteffectively seceding from the Union, leading to social unrest, civil war, national division, and intervention of foreign powers.
What Will It Be Like? What's its going to be when space combat finally arrives? Is it going to be like WWI aircraft? That is, rickety ships with a few crude weapons bolted on as afterthoughts, flown by a few aces who are familiar with the eccentricities of their craft?
Watching the evolution of space warships will be interesting as well. He said that in WWI, when you submerged in a U-Boat, you were never quite sure that the cantankerous submarine would surface again.
The captain would eyeball the target through the periscope with no gauges, do some arithmetic in his head, and order the torpedo fired verbally. If you were lucky, it would make it out of the tube. But now, the captain moans, it is all mechanized. He looks through the periscope with cross-hairs, which relays the settings to the plotting table and the automatic firing calculator.
The captain thinks it is terrible that they've taken the men out of war. So in the future one can imagine a Belter pilot, crying over her beer-bulb at Ceres Bar.
She'll bend your ear about the good-old-days during the Asteroid War of Independence, figuring vectors and delta-vs by the seat of your pants, early mornings on the Cosmodrome with your leather jacket and anti-nuke goggles, flying for Duquesne 's Flying Circus. Nowadays, she'll complain that pilots just zip up into the acceleration tank and let the computer fight the ship.
They've taken the men out of war Try to imagine what would it be like on the deck of an escort class interplanetary craft, shepherding a convoy of logistic hulls and on the lookout for convoy raiders.
The signals officer will be alert on his ladar scope, trying to burn through the stealth of the wolf packs. But then there is scientific reality to consider. Unfortunately, it seems that the more accurate you make it, the less interesting it becomes.
Having said that, keep in mind that much of the following is speculative and controversial. If you don't like it, ignore it. Just try to be self-consistent and work out the ramifications of anything you postulate.
Tactical and the computer game Children of a Dead Earth. Yes, they make conflicting predictions about how space combat will be. This is because the designers cannot know what are realistic technological assumptions to use.
They did their best, but the only way to be sure is if this is part of an ultra-top secret classified military study. In which case your clearance is probably not high enough to read it.
But either is light-years better than just making crap up, as does most media science fiction. The problem is acerbated for those how prefer SF that falls onto the 'harder' end of the spectrum, as they lose many inaccuracies usually used because they make the telling of the story easier.
For those of you that do worry over these details, read on. I'm going to discuss some of the more common elements of space battles in visual SF, although by no means all of them. For each I'll try to look at why they are shown the way they are, why they are inaccurate, and how they can be changed for greater realism.
A lost of this sort of thing comes down to the exact details of the setting so I will focus on fairly broad issues, things that are unlikely or impossible given our current understanding of physics. While you might think that a discussion of physics or technology would be the most important part of this blogpost, there are other aspects to creating a space battle equally important.
In this situation frantic dogfights with wheeling fighters, explosions, and hair-raising manoeuvres will probably serve the story quite well.
If, on the other hand, your story is about a nation, a war, or a leader rather than a simple soldier it has different requirements. Tactics will let you explore the leader's abilities, strategy will convey the importance of certain actions or individuals in the grand scheme of things.
In this case your might want to set your scene on the bridge of a starship, with huge tactical displays, and hasty conferences between the officers. The answers to the above questions will help you to decide on the details of your setting that facilitate the decision; things like the technology used, the strategies and goals, etc.
Only then can you begin to work on the visual aspects of the space battle and know that it will support and compliment the story you are trying to tell, rather than distracting the viewer from it.
The two examples I gave are by no means the only choices, and you can even switch between the two within the course of a single battle. There are also other similar considerations; the design or a ship can be used to reflect on the nature of those who built them.
Dull colours and blocky shapes can suggest lower level technology when contrasted with organic curves and polished metal.Chapter Six U.S. MILITARY OPPORTUNITIES: INFORMATION-WARFARE CONCEPTS OF OPERATION Brian Nichiporuk INTRODUCTION Information warfare is often seen as a new threat, a tool for adver-.
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Psychological warfare (PSYWAR), or the basic aspects of modern psychological operations (PSYOP), have been known by many other names or terms, including MISO, Psy Ops, political warfare, "Hearts and Minds", and propaganda.
The term is used "to denote any action which is practiced mainly by psychological methods with the aim of evoking a planned psychological reaction in other people". The Spiritual Warfare Matrix is a graphical overview of the battle of the ages between Jesus Christ and Satan, and between the Church and the fallen world system.
A battle tracking matrix is chart used by military commanders to convey multifaceted information in a comprehensive, yet compact form - in order to enhance situational awareness and to facilitate the decision making process.