The tragedy is written in five acts and focuses entirely on Hamlet.
It would be fairly easy for an officer, particularly a nobleman loyal to Hamlet, to find him in the place that's most "convenient," or safest. Though the Ghost's appearance has national implications, the officers are correct in assuming that the Ghost only wants to speak to the Prince, not the King.
In all likelihood, the officers are spread out on the stage, turned to face different directions where the Ghost might materialize. It's also possible that they have their weapons drawn. Furthermore, the use of the word illusion underscores the possibility that this ghost is actually a figment of their collective imagination.
His presence in this scene is both literal and figurative, with his Ghost representing a very real threat to the nation even as his decisions during his life continue to impact foreign policy.
In this, we see that the real danger isn't supernatural in nature, but hereditary; war, grudges, and inner turmoil get passed down from generation to generation.
It also provides the most conclusive evidence yet that this Ghost is, in fact, the dead king. The declaration "before my God" is very serious in Hamlet's setting, lending credence to everything Horatio says.
Marcellus says that the Ghost is offended to cue the actor to a more visible reaction, like turning away. This also establishes the idea of etiquette, broached earlier by Bernardo and Francisco in the first lines and broken here by Horatio, who has demanded something of a king who doesn't have to answer to him.
First, it establishes that there's been a fairly recent regime change, with one king dying by what cause, we're not sure and a new one taking the throne. Then, it clarifies that this is the king's ghost.
Finally, it primes the audience for when the dead king's ghost speaks to the prince. This characterizes Horatio as a skeptic and positions him as a kind of cipher for the audience, who tend to disbelieve until they're shown or told a thing is true.
In effect, Bernardo isn't just convincing Horatio, but convincing readers well. Readers learn that this "thing" or apparition has only come at night, when these guards are on watch. Marcellus also states that these sightings have occurred regularly enough that he can anticipate them.
The audience at one of Shakespeare's plays would've needed these identifying lines to introduce them to the characters and keep track of who was speaking. In fiction, this would all be done through the use of exposition, but in drama, writers have to devise other ways of clarifying the text for their audiences.
Bernardo's question breaches this protocol and results in a sharp refusal to answer. That he asks this question in the first place indicates something of his emotional and psychological state, which Shakespeare uses to foreshadow Hamlet's later crisis. This line, while brief, builds on the mood previously established by "bitter cold" and creates an atmosphere of displaced sorrow and distress, which sets the tone for the rest of the play.
On stage, there wouldn't be any mention of the stage directions identifying this character as a ghost, so Shakespeare had to use the guards to both identify the ghost and establish a few possible reasons why it might be appearing.
As in all Shakespeare plays, this Ghost has unfinished business with the main characters.Influence Character Throughline.
The Ghost — The spirit of King Hamlet. Physics Influence Character Throughline. The Ghost is the spirit of King Hamlet who is doomed to walk the earth during the nights and endure purgatorial fires during the daytime in expiation of sins committed during life. Act 5 Character Analysis: New Characters and Hamlet -The Lord is the character that asks hamlet to join the fencing match with Laertes to which Hamlet agrees.
-The Lord seems to be following Cladius' orders and seems to be working for or related in some way to Cladius. Analysis of Horatio’s Role in Hamlet Horatio's role in the play is minor and most critics agree that he is not developed beyond a character foil for the great Prince.
However, Horatio serves two purposes central to the drama, and it is through these purposes that we can best discuss those qualities that make Horatio memorable. When Horatio praises Hamlet’s father as a “goodly king," (plombier-nemours.com), for instance, Hamlet, who did respect his father deeply, replies, “He was a man, take him for all in all" (plombier-nemours.com).
Unfortunately, Hamlet lacks the ability, and never develops it, to turn such insight inwards. 3 November Hamlet and Horatio Best Friends for Life: an Analysis of Hamlet In Hamlet, two characters I believe to be important are Hamlet and his friend, Horatio.
Horatio is the second most important character in the play. Hamlet intends to find any guilt or remorse in the face of Claudius when the play is performed and asks Horatio to observe the same. He speaks very well to Horatio, but as he sees the King and the Queen enter he shifts his predicament and acts as insane.